Posted in Zentangle

High Focus Tangles… Huh?

As you can probably guess, a high focus tangle is a pattern that requires more than just half of your attention. In fact, if you let your focus drift too much on a high focus pattern, chances are high that you will utter “Oops!” followed by the Zentangle mantra, “There are no mistakes in Zentangle.” You might even add that an “oops” is an opportunity to do something different or try something new.

The starts of two high focus patterns, Rumpus in the center flanked by Arukas, are pictured above. These are difficult on a traditional 3.5 inch square tile (shown on the left for comparison), but become ultra high focus when done on a Zentangle Opus tile. The Opus tile measures three regular tiles across by three down, or 10.5 inches square. Sometimes, when enlarging a pattern in a sketchbook or on an Opus tile, the challenge is to keep in mind exactly where the pen is to end up, as the destination is often covered or obscured by the very hand that is doing the drawing.

For example, just to get this much of the beginning of my tile onto the Opus tile, I counted seven “Oops!” utterances before I stopped counting–the counting was just too distracting! Since my intent is to end up with a frame-able tile, the No Mistakes mantra is probably embedded into the tile itself.

These two tangles are not particularly difficult to master–and I have them down for the traditional tile sizes–but Arukas is primarily inner auras while Rumpus (at least, the way I have drawn it here) is primarily long double Cs or Ss, diverging at the beginning and converging at the end. An easier, and just as pretty, way to draw Rumpus is with doubled lines that are joined with a curve at each end, essentially creating long, thin oblongs; or the doubled line can be connected with points to generate a ribboned effect. Both of these effects can be seen on the new gray traditional sized tile (3.5 inch square) in the basic Rumpus sketch below.

The tangle Rumpus doesn’t end here. As presented in the official step-out for this pattern, it is filled with pearl-like orbs, then richly shaded. If you have the Zentangle Mosaic app on your mobile device, you can see the official step-outs for both Rumpus and Arukas there. If not, here is a Pinterest link for Rumpus that will help: https://pin.it/bz2wa5n6mj5icx ; and one for Arukas: https://pin.it/y6ikp7r6mrlp62 .

Auras are easy, right? You learned about auras with your very first pattern, Crescent Moon. First you created the half-circle and filled it in; next you drew an aura along the curve. You’ve been aura-ing ever since. And so have I, but auras continues to be difficult for me, as I can barely trace well, let alone draw an outline of whatever I just drew. So for me, anything with an aura is a high focus pattern–even Crescent Moon! But that never stops me from taking on even the toughest-looking pattern.

Thankfully, Zentangle is not about the difficulty of the tangle or tile, but about your journey as you learn and conquer more challenging patterns. The step-outs learned during classes and workshops, or online via YouTube or tangle sites, make all the difficult patterns easy to recreate on your own.

Until next time, keep on tangling!

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Update: here is the completed tile from above.

Yep. High focus.

Posted in Zentangle

Feeling Guilty

Yes, I am feeling guilty! It has been weeks since I posted. So much has been going on…

Did I mention that I got a job? It’s half-time, on contract, and tons of fun! I get to work with students, teaching them better ways to study, or tweaking their current study skills. A few weeks ago, I even gave a Zentangle workshop for students at the American medical school here (my employer) and a few were young people I helped (hopefully) and encouraged to attend. 

The purpose of the workshop was to provide students with one more way to relieve stress and general anxiety. Some students were so tense that 4 Microns had to be replaced. Medical students are probably the most tense group of students under the sun.

As I ran the workshop, I tangled along with them, using a really fancy overhead projector that broadcast to several monitors. Here are my versions.



We had started a third tile, but ran out of time. 

We ran short of time because, close to the time of the workshop, the sponsoring department decided to push through a protocol that made the workshop part of a research project. A “before” survey, which was supposed to take two minutes, took up a quarter of an hour. Then time needed to be left at the end for the “after” survey, cutting ten minutes off the end.  Still, the students left with supplies and enough information to do some tangling on their own in a very Zen-oriented way. 

I really wish there had been time for a photo of the participants’ work. I saw a few tiles that were outstanding. But we go with the flow and do what we can. More workshops are going to be scheduled for the next semester that starts next month with over 200 new students.

Next post, I will share some experimenting I’ve been doing with different pens and colored pencils. You will be left with little doubt that spending just a bit more for better tools can increase your enjoyment and the satisfaction with results many times over.

Until next time, Happy Tangling!