Posted in Zentangle

Embedded Letters

So, it’s the last day of 2019, and I have been thinking about high focus tangling. A lot.

A tangle pattern does not need to be difficult to be high focus. Any stroke or combination that is difficult for you (not necessarily for someone else) is high focus, at least initially. For me, any pattern that requires auras is high focus. Even when I maintain my focus, strokes don’t always come out the way I want them to. But that’s OK, because there are no mistakes with Zentangle.

One of the loveliest projects to come out of Zentangle HQ is something called Embedded Letters, tagged #EmbeddedLetters. This project relies heavily on auras. Interestingly enough, even if the auras aren’t perfect, and even without shading, the result is lovely. Here are a few examples of my own embedded letters.

As you can see, they are not perfect, yet the people for whom they were created seem to love them. And I have gone on to embed whole names.

Here is how to get started with your own embedded letters project.

1. Create an outline of the letter (or word) you want to embed.

2. Fill in the outline.

3. Aura around the filled letter(s).

4. Add some embellishments. The easiest is to add a few fescue around the edge. Weight the bottom of the fescue to give it a feel of old fashioned engraving. Add as many as you like, wherever you like.

5. Aura around that embellished layer.

6. Add another layer of embellishments, maybe adding some flux and perfs (or pearls) to fill in spots too small to add other patterns to. Then aura that. Or just add several auras. As you gain confidence, add bits of other patterns. Whatever you do will look great.

Lastly, shade as desired–or don’t shade at all. Either way, you have completed a project that took a bit of focus, a few simple strokes, and a lot of yourself.

Tangling isn’t difficult, but it does take mindfulness to keep strokes even or balanced. The mindfulness is meditative and relaxing. Using the whole 8-step Zentangle Method, from gratitude for time, place, materials in step 1, to appreciation of your accomplishment in step 8, helps to calm your anxieties and stress, at least for a little while.

Happy 2020 to you and yours. As always, Happy Tangling!

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Posted in Zentangle

High Focus Tangles… Huh?

As you can probably guess, a high focus tangle is a pattern that requires more than just half of your attention. In fact, if you let your focus drift too much on a high focus pattern, chances are high that you will utter “Oops!” followed by the Zentangle mantra, “There are no mistakes in Zentangle.” You might even add that an “oops” is an opportunity to do something different or try something new.

The starts of two high focus patterns, Rumpus in the center flanked by Arukas, are pictured above. These are difficult on a traditional 3.5 inch square tile (shown on the left for comparison), but become ultra high focus when done on a Zentangle Opus tile. The Opus tile measures three regular tiles across by three down, or 10.5 inches square. Sometimes, when enlarging a pattern in a sketchbook or on an Opus tile, the challenge is to keep in mind exactly where the pen is to end up, as the destination is often covered or obscured by the very hand that is doing the drawing.

For example, just to get this much of the beginning of my tile onto the Opus tile, I counted seven “Oops!” utterances before I stopped counting–the counting was just too distracting! Since my intent is to end up with a frame-able tile, the No Mistakes mantra is probably embedded into the tile itself.

These two tangles are not particularly difficult to master–and I have them down for the traditional tile sizes–but Arukas is primarily inner auras while Rumpus (at least, the way I have drawn it here) is primarily long double Cs or Ss, diverging at the beginning and converging at the end. An easier, and just as pretty, way to draw Rumpus is with doubled lines that are joined with a curve at each end, essentially creating long, thin oblongs; or the doubled line can be connected with points to generate a ribboned effect. Both of these effects can be seen on the new gray traditional sized tile (3.5 inch square) in the basic Rumpus sketch below.

The tangle Rumpus doesn’t end here. As presented in the official step-out for this pattern, it is filled with pearl-like orbs, then richly shaded. If you have the Zentangle Mosaic app on your mobile device, you can see the official step-outs for both Rumpus and Arukas there. If not, here is a Pinterest link for Rumpus that will help: https://pin.it/bz2wa5n6mj5icx ; and one for Arukas: https://pin.it/y6ikp7r6mrlp62 .

Auras are easy, right? You learned about auras with your very first pattern, Crescent Moon. First you created the half-circle and filled it in; next you drew an aura along the curve. You’ve been aura-ing ever since. And so have I, but auras continues to be difficult for me, as I can barely trace well, let alone draw an outline of whatever I just drew. So for me, anything with an aura is a high focus pattern–even Crescent Moon! But that never stops me from taking on even the toughest-looking pattern.

Thankfully, Zentangle is not about the difficulty of the tangle or tile, but about your journey as you learn and conquer more challenging patterns. The step-outs learned during classes and workshops, or online via YouTube or tangle sites, make all the difficult patterns easy to recreate on your own.

Until next time, keep on tangling!

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Update: here is the completed tile from above.

Yep. High focus.